Issue 014

By Kay Vaindal One hundred years after eight billion of us died in the Great Atmospheric Event, I began hooking up with ancient Assyrian king, Esarhaddon.

Art by Marischa BeckerFeature by Rob Carroll Marischa Becker’s rapidly evolving art portfolio is a slipstream dreamscape of many different genres and styles. Just when it feels as though she has se...

Art by João Antunes Jr.Feature by Rob Carroll The work of João Antunes Jr. is everything I love about genre art and fiction: the high concept of science fiction and the visceral fears of horror—tog...

Feature by Marissa van Uden The Marigold, by Andrew F Sullivan, is an eco-horror mystery about a city—near-future Toronto—succumbing to corporate “luxury” development and the ambitions of the rich ...

Feature by Janelle Janson Rachel Harrison has blown up the horror scene with her exceptional contemporary voice. First with The Return, then with Cackle, and most recently with Such Sharp Teeth. He...

Feature by Jena Brown Shannon Chakraborty first swept into the fantasy world with her debut novel, City of Brass, in 2017. Her expansive world of djinn and magic captivated fans, and her characters...

By Ray DaleyOriginally Published in A Year of Living Bradbury: 52 Stories Inspired by Ray BradburyDedication: For Mike Flory, sadly missed. Ad Astra. “So, Mister Anders, is it?” asked the Superviso...

By Doodleskelly “The world dies over and over again, but the skeleton always gets up and walks.” –Henry Miller American Novelist

By Rob Carroll I would like to start this issue’s letter from the editor with an excerpt from one of the stories included in these pages. It’s an elegantly written post-apocalypse tale told through...